Hong Kong Ballet reinvents classic fairy tale Pinocchio

If Pinocchio isabout a wooden puppet gaining a soul to become a human boy, then Hong Kong Ballet's stage adaptation of this fairy tale is about touching the soul of its audience, says its creator.

Opening the troupe's season is a production that promises to move and engage audiences through the power of dance, music and imagination.

"The first time I went to see a dance performance, I did not understand a thing, but it was such a fantastic feeling that I went back to watch it again," recalls Swedish choreographer Pär Isberg. "This is why we try to touch people's hearts."

Pinocchio is an apt choice, given it is a heart-warming and popular tale known to many. But with that comes expectations and the challenges of building a narrative just through movement.

"There are certain things in the text that you cannot express through dancing," says Isberg, 59.

So it's important to make use of props, costume, music and set designs to help bring the story to life. "I've wanted to do scenography since I was 13," he adds.

The original piece will feature a score by Italian composer Ottorino Respighi, who was no stranger to writing for ballet. Not only has Isberg come up with a distinctive choreography for each main role, he also chose "the right music that will fit the character" to help with the narrative.