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Geneva Ballet's Romeo and Juliet is a pared-down version

When the Geneva Ballet's director, Philippe Cohen, met Swiss-born, Paris-based choreographer Joëlle Bouvier a few years ago to discuss a possible collaboration, he asked her what project she would most like to do.

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The Geneva Ballet performing Romeo and Jullet.
Victoria Finlay

When the Geneva Ballet's director, Philippe Cohen, met Swiss-born, Paris-based choreographer Joëlle Bouvier a few years ago to discuss a possible collaboration, he asked her what project she would most like to do.

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"I told him I wanted to create a new Romeo and Juliet with the music of Prokofiev," she recounts. "And he said, 'But how extraordinary. That is exactly what I wanted you to do.'"

The result, which is showing at Hong Kong's Cultural Centre on July 19 and 20, is a minimalist (in Bouvier's words, "simple") version of the Shakespeare story, performed to three orchestral suites taken from Prokofiev's ballet score.

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Gone are the parents, gone is the priest, gone even is the nurse. What remain are the two central stories, which give different takes on love and loyalty: the tragic story of the two teenage lovers from rival families at war, and the tragic battle between Juliet's cousin Tybalt and Romeo's best friend, Mercutio.

Bouvier's version begins with a funeral: the corps de ballet try to dance some doll-like figures clad in white to life again. Then the scene moves back in time, to the dance where the teenage lovers first meet.

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