Arts preview: Jennifer Steinkamp's swirling 3-D digital installations
Catherine Shaw


The artist's three animated works depict her fascination with nature. The highlight, Bouquet, is a monumental virtual arrangement of trees with swaying branches and leaves that rustle in a breeze and, in a never-ending cycle, depict the passing of the seasons. Created last year for the American Consulate in Guangzhou, its delicacy is technically astounding and hypnotically beautiful.
Another extraordinary work, Disapore, one of two pieces created for the show, presents a collection of tumbleweed swirling through a flat, white space.
"The piece creates an illusion in the space while the space transforms the piece," explains the artist from her home in Los Angeles. "When you walk through it you disrupt the illusion and weave yourself into the work."
It is this treatment of context that sets Steinkamp's installations apart from other new media. The application of her trademark digital technique within a deeper exploration of architectural space, motion and perception instinctively engages the viewer. "It talks to you in a physical way because it works with space. Your body feels it even though the work has no materiality," she says.