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Landscape of Ozu combines cinema and theatre

Adrian Yeung Chun-yip, whose video works can be regularly seen at local dance, theatre and concert performances, says he is a big fan of movies. In fact, the multimedia designer and theatre director is so passionate about cinema that he's been trying to blend it into his multimedia theatre productions.

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Stage craft: Ng Wai-shek (left) and Tsoi Wan-wa re-enact a scene from Yasujiro Ozu’s film Late Spring.
Edmund Lee

LANDSCAPE OF OZU
Multi-Media-Motion Series

 

Adrian Yeung Chun-yip, whose video works can be regularly seen at local dance, theatre and concert performances, says he is a big fan of movies. In fact, the multimedia designer and theatre director is so passionate about cinema that he's been trying to blend it into his multimedia theatre productions.

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In 2012's Antonioni Conjecture, Yeung paid homage to the Italian director Michelangelo Antonioni by partly transforming the stage into a movie set. He's adopting the same approach on another master filmmaker, Japan's Yasujiro Ozu, in his latest show.

Loosely based on the classic family drama Late Spring (1949), in which a widowed father reluctantly tries to marry off his only daughter, Landscape of Ozu is set around an old-style photo studio that has lost its purpose in present-day Hong Kong.

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While it reflects the changes in both technology and society, the setting also provides a platform for Yeung, the director and co-playwright (with Wu King-yeung), to explore the potential of video production in a theatrical setting.

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