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Occupy Central
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Occupy Central changed the way Hongkongers think, says artist

Birdy Chu's multimedia show, It's just the beginning, at the Goethe-Institut Hongkong, documents the democracy protests from different angles

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They started something: works from Birdy Chu Shun's exhibition (above and below).
Vanessa Yung

IT’S JUST THE BEGINNING
Goethe-Institut Hongkong

 

Birdy Chu Shun is no stranger to tear gas assaults. A former journalist, Chu witnessed the 2005 anti-WTO protests by South Korean farmers in Wan Chai and, seven years later, the anti-Japanese demonstrations in Shenzhen. Tear gas was used on both occasions. But nothing stunned Chu as much as what happened on September 28, 2014, the day that kick-started the umbrella movement.

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"The fact that the police fired tear gas at the Occupy Central protesters changed everything. It incubated what happened in the following months," says Chu, a photojournalist, videographer, and media lecturer at HKU Space Centre for Degree Programmes. "It triggered people's anger, which has more to do with the shock of what the police did than any physical pain inflicted."

Chu has a knack for capturing arresting visuals of the city's socio-political scene. In 2013, he published a book titled I walk therefore I shoot: a record of Hong Kong demonstrations. This time, the result of his chronicling the civil disobedience sit-ins is a multimedia exhibition at the Arts Centre.

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The month-long show is made up of photography, short films and multimedia installations. Instead of using a straightforward documentary approach, Chu — using his graphic design background — gives all his works an artistic twist to enhance interest and pique contemplation.

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