Liu Dahong with his painting “The Garden of Plenty”, which features Xi Jinping being embraced by an elderly Mao Zedong. Picture: Nora Tam

Why Chinese artist Liu Dahong can’t get the Cultural Revolution out of his system

The decade from 1966 to 1976 ‘is like a big mine; the more I dig, the more material I find’, says artist, who hopes his works will encourage people to think about the period

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Liu Dahong with his painting “The Garden of Plenty”, which features Xi Jinping being embraced by an elderly Mao Zedong. Picture: Nora Tam
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