Single Avise (moyen) (2005) by François-Xavier Lalanne, at Ben Brown Fine Arts, in Central. Picture: May Tse Single Avise (moyen) (2005) by François-Xavier Lalanne, at Ben Brown Fine Arts, in Central. Picture: May Tse
Single Avise (moyen) (2005) by François-Xavier Lalanne, at Ben Brown Fine Arts, in Central. Picture: May Tse
Enid Tsui
Opinion

Opinion

The Collector by Enid Tsui

Why no Hong Kong museum for contemporary art?

Leading private gallerist Ben Brown says it's 'insane', given Hong Kong's art market is so important, that the city lacks a dedicated contemporary art museum of the kind that can be found in China or South Korea

Single Avise (moyen) (2005) by François-Xavier Lalanne, at Ben Brown Fine Arts, in Central. Picture: May Tse Single Avise (moyen) (2005) by François-Xavier Lalanne, at Ben Brown Fine Arts, in Central. Picture: May Tse
Single Avise (moyen) (2005) by François-Xavier Lalanne, at Ben Brown Fine Arts, in Central. Picture: May Tse
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Enid Tsui

Enid Tsui

Enid joined the Post as senior culture writer in 2015 after a long career as a business and politics journalist at the Financial Times, the Nikkei Asian Review, RTHK Radio 3, and the Economist Group in Hong Kong and in London. She returned as the Post's art editor in 2020 after taking a year off to pursue a Master's degree in art history.