La Mesure de Toute Chose (1967), by Bernar Venet. Picture: Bernar Venet Collection La Mesure de Toute Chose (1967), by Bernar Venet. Picture: Bernar Venet Collection
La Mesure de Toute Chose (1967), by Bernar Venet. Picture: Bernar Venet Collection
Enid Tsui
Opinion

Opinion

The Collector by Enid Tsui

Nice, not Andy Warhol, was top for pop art, Le French May show suggests

French Riviera city’s pioneering artists were years ahead of Warhol and his peers, exhibition in Hong Kong would have us believe

La Mesure de Toute Chose (1967), by Bernar Venet. Picture: Bernar Venet Collection La Mesure de Toute Chose (1967), by Bernar Venet. Picture: Bernar Venet Collection
La Mesure de Toute Chose (1967), by Bernar Venet. Picture: Bernar Venet Collection
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Enid Tsui

Enid Tsui

Enid joined the Post as senior culture writer in 2015 after a long career as a business and politics journalist at the Financial Times, the Nikkei Asian Review, RTHK Radio 3, and the Economist Group in Hong Kong and in London. She returned as the Post's art editor in 2020 after taking a year off to pursue a Master's degree in art history.