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Cult musical Grease is just as irresistible at 40 years old, but it is time to rule out a Rydell High reunion

With star turns from John Travolta and Olivia Newton-John, plus an impossibly catchy soundtrack, Grease looks as good today as it did when it was released in 1978

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John Travolta and Olivia Newton-John in Grease (1978).
Richard James Havis

Although it was released a couple of decades after the genre’s heyday, 1978’s Grease went on to become one of the most popular musicals ever made. The movie consolidated the success of John Travolta, who had achieved stardom with Saturday Night Fever the year before, thrust singer Olivia Newton-John into the inter­national spotlight, and produced a hit soundtrack LP and singles.

The film is based on a 1971 stage musical, although its story and some of musical numbers differ from the original. The action takes place in an American high school in the 1950s. The rebellious Danny (Travolta) has a summer fling with the pretty Australian Sandy (Newton-John), who tells him she’s returning to Australia with her family.

 

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Danny is a greaser – the 50s equivalent of a rocker – and his cool image is everything to him. So when Sandy turns up at his school on the first day of term – her family having decided to stay in the United States – Danny humiliates her in front of his friends. The rest of the film revolves around Danny trying to show Sandy he’s actually a nice guy.

Newton-John, who grew up in Australia, was known as a country pop singer before Grease – she’d had a big hit with Country Roads, Take Me Home. A bad experience on her first film, Toomorrow (1970), made her cautious, and she asked for a screen test before she signed on for Grease, to check she could play the role. The producers liked what they saw and changed the script to make Sandy Australian and not American.

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The change in her character’s demeanour that occurs in Grease – from a nice straight girl to a raunchy rocker – was reflected in Newton-John’s own career, and she abandoned her nice-girl image for a spicier look for pop hits such as 1981’s Physical. Newton-John capitalised on the success of Grease two years later with another musical film, Xanadu (1980), in part written by Jeff Lynne of ELO.

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