What a view | HBO Asia’s ‘nasi goreng western’ Grisse pits a band of rebels against evil colonial overlords

For a people with a reputation for live-and-let-live tolerance, the Dutch have a bloody and brutal history. You do not have to wade too deeply into chronicles of their mid-19th century colonial exploits in the Dutch East Indies to find tales of violent imperial oppression.

Cue HBO Asia’s Indonesian-Singaporean period drama Grisse (pronounced “griss-ay”), a pistol-packin’, kung fu-fighting eight-part saga cheerfully called a “nasi goreng Western” by showrunner Mike Wiluan. In its grunting realism and close-quarters fight scenes it recalls Quentin Tarantino, such is the unsparing depiction of gristle and gore.

But hey – it’s not all fun and games. The unusual band of rebels powering this historical-fictional account of righteous indignation and revolt against a sadistic governor are in a serious scrap with an evil empire for the soul of their homeland. And the good guys and gals are easy to spot – until factions begin to split the insurgents’ ranks and the uprising’s initial impetus is sacrificed for sectarian interests.

The disparate desperados for whom we’re cheering, from peasants to ronin to working girls, promise great scope for contrasting individual stories, something perhaps inspired by an ensemble cast drawn from Indonesia, Malaysia, Japan, Singapore, Australia, the United States and Europe. And in the newly liberated garrison town of Grisse theirs is something of a matriarchal society, with major dissent duties for reluctant leader Kalia (played by star of the show, Adinia Wirasti) and ribald mamasan Chi (riotous comedienne Joanne Kam).

Filmed largely on Batam Island, south of Singapore, and in English, Grisse also specialises in mountainous backdrops, big skies and rustic panoramas – at least until the fighting starts.

Accounts are patchy, but Grisse, in East Java, did seemingly exist, subsequently becoming the modern-day town of Gresik.