Zun wine jars used at the Temple of Earth on display at the “For Blessings and Guidance” exhibition at the Chinese University of Hong Kong. Picture: Enid Tsui Zun wine jars used at the Temple of Earth on display at the “For Blessings and Guidance” exhibition at the Chinese University of Hong Kong. Picture: Enid Tsui
Zun wine jars used at the Temple of Earth on display at the “For Blessings and Guidance” exhibition at the Chinese University of Hong Kong. Picture: Enid Tsui
Enid Tsui
Opinion

Opinion

The Collector by Enid Tsui

Search for missing Qing-dynasty ritual vessel takes novel approach – 3D-printed replicas

Of the eight kinds of Qing-dynasty ritual vessels, one continues to elude collectors but a Sydney-based retired engineer is determined to track it down

Zun wine jars used at the Temple of Earth on display at the “For Blessings and Guidance” exhibition at the Chinese University of Hong Kong. Picture: Enid Tsui Zun wine jars used at the Temple of Earth on display at the “For Blessings and Guidance” exhibition at the Chinese University of Hong Kong. Picture: Enid Tsui
Zun wine jars used at the Temple of Earth on display at the “For Blessings and Guidance” exhibition at the Chinese University of Hong Kong. Picture: Enid Tsui
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Enid Tsui

Enid Tsui

Enid joined the Post as senior culture writer in 2015 after a long career as a business and politics journalist at the Financial Times, the Nikkei Asian Review, RTHK Radio 3, and the Economist Group in Hong Kong and in London. She returned as the Post's art editor in 2020 after taking a year off to pursue a Master's degree in art history.