The Cordillera de la Costa mountain range looms large as a metaphor for Chile’s fading memory of the Pinochet era in Patricio Guzmán’s latest film.
Clarence Tsui
Opinion

Opinion

The Projector by Clarence Tsui

Why the Tiananmen Square crack­down is off-limits to Chinese filmmakers and the directors trying to keep history alive

  • Director Patricio Guzmán’s latest film, like many others he has made, explores a painful chapter in Chile’s past
  • Chinese auteurs do not enjoy the same liberties, with certain historical events subject to strict censorship

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The Cordillera de la Costa mountain range looms large as a metaphor for Chile’s fading memory of the Pinochet era in Patricio Guzmán’s latest film.
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