A still from Li Shaohong’s Bloody Morning (1990), a restored version of which was screened at this year Shanghai Inter­national Film Festival.
Clarence Tsui
Opinion

Opinion

The Projector by Clarence Tsui

China’s Fifth Generation filmmakers are officially in favour, decades after their debuts

  • Li Shaohong’s 1990 film Bloody Morning is the latest movie from the group of auteurs to have been restored
  • Recent screenings reflect an official willingness to rehabilitate controversial classics

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A still from Li Shaohong’s Bloody Morning (1990), a restored version of which was screened at this year Shanghai Inter­national Film Festival.
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