Koji Moriya in The Murders of Oiso. Photo: Tonikaku Pictures
Opinion
Opinion
The Projector by Clarence Tsui
Mainland China not the only option for Hong Kong’s independent filmmakers when it comes to co-productions
A milestone Hong Kong-Japanese co-production – The Murders of Oiso – shows why the city’s independent directors should be seeking partnerships beyond the border
Previous collaborations with the mainland haven’t always met with success