Visitors at Gallery Weekend Beijing, in Beijing, China, in May. Photo: courtesy of Gallery Weekend Beijing Visitors at Gallery Weekend Beijing, in Beijing, China, in May. Photo: courtesy of Gallery Weekend Beijing
Visitors at Gallery Weekend Beijing, in Beijing, China, in May. Photo: courtesy of Gallery Weekend Beijing
Enid Tsui
Opinion

Opinion

The Collector by Enid Tsui

Chinese demand saved the art industry post the global financial crisis – who will come to the rescue now?

  • With galleries reopening around the world, the art industry has reason to be optimistic
  • But uncertainty lingers in Hong Kong as fresh political turmoil erupts

Enid Tsui
Enid Tsui

Updated: 12:30pm, 6 Jun, 2020

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Visitors at Gallery Weekend Beijing, in Beijing, China, in May. Photo: courtesy of Gallery Weekend Beijing Visitors at Gallery Weekend Beijing, in Beijing, China, in May. Photo: courtesy of Gallery Weekend Beijing
Visitors at Gallery Weekend Beijing, in Beijing, China, in May. Photo: courtesy of Gallery Weekend Beijing
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Enid Tsui

Enid Tsui

Enid joined the Post as senior culture writer in 2015 after a long career as a business and politics journalist at the Financial Times, the Nikkei Asian Review, RTHK Radio 3, and the Economist Group in Hong Kong and in London. She returned as the Post's art editor in 2020 after taking a year off to pursue a Master's degree in art history.