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Stephen McCarty

What a view | Kim’s Convenience on Netflix, starring Simu Liu, keeps the laughs coming, and the compassion

  • Appa and Umma will forever be slightly out of step with the Toronto community their store serves, and with their children – and therein lies the show’s charm
  • In David Hare’s Roadkill, Hugh Laurie is British government minister Peter Laurence, a libertarian who seems capable of overcoming even the seediest of scandals

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“Kim’s Convenience” is in its fifth and final series, but the sitcom on Netflix has lost none of its feel-good factor.

Having pulled down the shutters on his neighbourhood landmark for the last time, Canadian-Korean screenwriter Ins Choi can take pride in his cult show’s stars’ serving of prime-cut comedy from behind the counter of Kim’s Convenience.

With all five seasons now available on Netflix, and several of those stars reaching household-name status through other projects, there is an end-of-era feeling about the show’s conclusion. Sadly, close of business has also come with gripes from some of the cast about allegedly racist storylines and a lack of input from the actors, but superficially at least the last season has lost none of the feel-good factor that made Kim’s Convenience so popular in the first place.
Store proprietors Appa (Paul Sun-hyung Lee) and Umma (Jean Yoon) remain protective of their Korean heritage while desperate to fit in with their Toronto community – with which they will forever be slightly, cringingly, out of step.
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Series five also sees daughter Janet (Andrea Bang) living at home again with them and suffering chronic career stasis while son Jung (Simu Liu, having morphed back from being Marvel superhero Shang-Chi) hankers after parental acceptance of his dotty white girlfriend Shannon (Nicole Power).

Appa still thinks surveying the world from behind a till gives his pronounce­ments on it a certain authority, but personally and professionally he’s never going to be the boss of anything, including himself. From empathy without real understanding must come misunderstanding and umbrage, but no crossed wires between generations are ever serious enough to threaten the overall wholesomeness of lives lived, generally, with compassion.

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Like all the best sitcoms, Kim’s Convenience assesses the world’s problems from a micro standpoint – meaning that there is no universal difficulty that can’t be addressed by looking at it on a hearth-and-home scale. Or by moving goods just past their sell-by date to the front of the shelf. Pop round to Kim’s while it’s still, just about, trading.

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