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How Cinderella – the Panto changed a company director’s life, making her more confident about taking on non-traditional roles

  • After Shafin Azim watched a pantomime in 2008, she decided to audition the following year and was given the lead role
  • After appearing in Cinderella, she realised the shows had made thousands of people smile, and was inspired to take up acting

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Acting in Cinderella the Panto changed Shafin Azim’s life. Photo: Shafin Azim
Richard Lord

Cinderella – the Panto was the Hong Kong Players’ 2015 pantomime, part of a tradition of family slapstick musical comedy productions from the company and its antecedents that date back to 1889. Shafin Azim, a director of family trading company Peakward Enterprises, who is also an actor, and has been one of the principal cast members of Hong Kong Players pantomimes for several years, including this year’s, Jack and the Beanstalk – the Panto, tells Richard Lord how it changed her life.

I’m from Bangladesh but I moved to Hong Kong more than 30 years ago. If we count school shows, I’ve been acting since I was one. Outside school, I started quite late, in 2009, a couple of years after university. My first role was in a panto: Aladdin.

I had watched the panto in 2008, and it was just so fun, with all the fourth wall breaking and interacting with the audience. I thought, “Let’s try this next year.” The auditions came up, I went to Kellett School to audition for the chorus, and I was the one adult with loads of kids, which was embarrassing. The next day I got a call from the director, saying, “Would you like to be [lead female role] Jasmine?” I said, “Are you sure?”

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I hadn’t auditioned for the role. But when it came to the performance, I was totally fine. I just loved the thrill of being on stage. Acting definitely helps me to be confident and lets me say things I wouldn’t normally. I feel more present, more visible – and more comfortable being visible.

Shafin Azim has been one of the principal cast members of Hong Kong Players pantomimes for several years. Photo: Shafin Azim
Shafin Azim has been one of the principal cast members of Hong Kong Players pantomimes for several years. Photo: Shafin Azim

In 2014, I was in The Bluebird of Happiness, a play from the early 1900s that was turned into a musical by a Philippine theatre company called Trumpets. That one was so magical. Then, when I was doing Cinderella, I was out with a friend and someone came up to my friend and said, “Is your friend in the pantomime? I took my daughter to see it, and she wanted to be just like you.”

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