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James Fox says goodbye to Judy Davis in a still from A Passage To India. Photo: Columbia Pictures/ Getty Images

How reading A Passage to India changed Hong Kong Academy for Performing Arts director Gillian Choa’s life

  • E.M. Forster’s exploration of class tension, stereotypes and racism in colonial India had a real impact on Choa when she read it at school
  • A fan of the literature and fashion of the 1920s, Choa was drawn to the novel set in British India and its social messages

E.M. Forster’s A Passage to India (1924), among the iconoclastic British writer’s best known novels, is an exploration of class tensions, stereotypes and racism in colonial India.

The story of Adela Quested, a young Englishwoman who visits the fictional Indian city of Chandrapore with the idea of marrying the local magistrate, and who subsequently falsely accuses young Indian doctor Aziz of sexual assault, leading to a trial and the breakdown of several friendships, the novel is a fierce critique of the toxic effects of colonialism.

Gillian Choa, director of the Hong Kong Academy for Performing Arts, explains how it changed her life:

I am particularly interested in novels that touch me and trigger my imagination. I first read A Passage to India in secondary school when it was required reading for English literature. My mother had always romanticised India as this extremely mysterious place full of wonders. While I longed to visit the country myself, I was only able to capture it through this novel in the eyes of an Englishman’s perspective in the 1920s.

Gillian Choa, director of the Hong Kong Academy for Performing Arts.

The 1920s are one of my favourite periods in fashion history, and in literature too, as in works such as The Great Gatsby, The Age of Innocence, A Room of One’s Own and The Painted Veil [by F Scott Fitzgerald, Edith Wharton, Virginia Woolf and W Somerset Maugham respectively], which often depict seldom seen again romantic encounters. The meaning and relevance of the ideals of the time drew much of my attention later in the 20th century.

The novel revolves around the colonial era and examines the relationships among the locals and the English community, the bigotry against the Indians, and the racial tensions that result in one of the characters being falsely accused of sexual assault. Close relationships end. Friendships among a few of the locals and the British do not survive.

EM Forster’s novel A Passage to India (1924).

Reading it as a teenager, I romanticised the story and imagined myself in the Marabar Caves [a fictionalised version of the Barabar Hill Caves in Bihar, India, where the novel’s central incident takes place], and the confusion of young Adela drowning in the mystery of India and her fantasised romance, as well as the alienation that she is faced with. The characters are desperately seeking order and reconciliation among chaos, and she is only able to find peace through her courage in finding herself.

I finally watched David Lean’s epic film of the book in 1984. He was able to bring every human emotion expressed in the novel vividly to life, and it was breathtaking visually.

Although A Passage to India is set in India in the colonial era, the cross-cultural confusions portrayed are still very relevant around us. It examines human flaws and doubts openly and objectively, leaving us with an immense opportunity to reflect and imagine.

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