Then & Now | Refugees often fall back on their creativity, like Mr Chen – or was it Mr Chow? – the post-war pastel artist in Hong Kong
- Artistic talent, or other cultural skills, are often the only portable assets a desperate person can take on their flight to safety from the ravages of war
- An artist, who was a victim of the Chinese civil war, drew pastel portraits of Hong Kong’s affluent European elite that today hang in homes around the world

With few exceptions, refugees make superb new citizens in those places that give them sanctuary in their time of need, and abiding gratitude is also firmly instilled into the next generation.
How do refugees make a living when some of the places they end up – such as Hong Kong – prevent them from legitimately working? Artistic talent, or other cultural skills, such as musical or theatrical ability, are often the only portable assets a desperate person can take on their flight to safety.
History shows these skills can be later deployed to marvellous, long-remembered effect.

A common feature in the homes of people who lived in Hong Kong in the late 1940s and ’50s are framed, high-quality pastel portraits – sometimes of adults, but more usually of children or younger teenagers.
