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Review | Fifty Shades Darker through Christian’s eyes is a poor rehash of the first book

E.L. James’ latest instalment to her S&M canon is little more than a photocopy of the first but from the viewpoint of a leading man narrating his narcissism to a post-Weinstein world of discomfort

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Dakota Johnson as Anastasia Steele and Jamie Dornan as Christian Grey in Fifty Shades of Grey. Picture: Universal Pictures/Entertainment Pictures
James Kidd

Darker
by E.L. James
Arrow

Can a writer sue themselves for plagiarism? E.L. James has a new novel out. Or rather, she doesn’t. She has an old novel out, repackaged by a new narrator. Replacing masochistic ingénue Anastasia Steele is sadistic, dishy billionaire Christian Grey. Gasp.

This inherently unoriginal idea isn’t itself, well, original. James is once again copying Stephenie Meyer’s Twilight (2007), which inspired Fifty Shades of Grey (2011) in the first place. Having exhausted every cliché in romantic and gothic fiction, Meyer went forward by rewinding back to the future and regurgitating episode one through vampish Edward Cullen.

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That his unsentimental misanthropy was preferable to Bella Swan’s increasing drippiness didn’t matter; even Meyer couldn’t stomach cashing in on her bestselling idea. Having been mysteriously leaked, Midnight Sun, as she called the project, was abandoned after only a few pages.

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The latest Fifty Shades novel from E.L. James.
The latest Fifty Shades novel from E.L. James.
Sadly, there is no such luck where James is concerned. Having already rebooted Fifty Shades of Grey with 2015’s Grey (whose full title is the even less imaginative, and even less saucy Grey: Fifty Shades of Grey as Told by Christian), she has followed it up with Darker (Darker: Fifty Shades Darker as Told by Christian, in case you’re confused).
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