Man Booker Prize 2018: time to place your bets on this year’s six finalists
With exemplary novels covering everything from poetry, magical realism and historical horror to choose from, who the judges will deem worthy is anyone’s guess
Writing in Harper’s Magazine, Will Self, the British novelist, lugubrious man of letters and author of the Man Booker-shortlisted Umbrella (2012), recently declared literary fiction dead, or at least wheezily breathing its last as social media, video games and infinite podcasts dance merrily around its death bed.
In this pessimistic context, the Man Booker is the equivalent of an artistic defibrillator, delivering a much-needed, if temporary, life-saving shock to the literary novel’s system.
This year, the Man Booker celebrated itself when it tried to find the best winning novel in its 50-year history: the winner, as voted by the reading public, was Michael Ondaatje’s The English Patient, which, lest it be forgotten, shared the award in 1992 with Barry Unsworth’s Sacred Hunger.
This year, Ondaatje was one of several high-profile writers to fall between the long and shortlist, for his largely excellent Warlight. The other eyebrow-raising omission is Sally Rooney’s much admired Normal People.