Tai Po, Tai Po, Tai Po. The place where I quite want to be.

Monty Python fans may shudder at the lyric modification, but those in the know will nod at the fact this hitherto sleepy area, less than half an hour’s drive from Lo Wu, is increasingly being recognised as a desirable spot in which to live – especially for those who conduct business across the border.

The owners of this apartment, who travel to China for work, decided to capitalise on the area’s development potential and last year bought a unit in a new residential complex by the coast that beat the competition for many reasons: their top-floor home boasts sea views, lofty ceilings and a private rooftop of the same size as the 1,112-sq-ft flat to which it is attached. It was also new, although, as they would realise, this inevitably affected their interior design choices.

“It was difficult to change the layout,” says Zeta Chu Ka-yan, of Raz Interiors. “[My clients] wanted to keep as much as possible because it was a new apartment and they didn’t want to be wasteful.”

Family swap Hong Kong Island for Tai Po home with rich feng shui

Changes, however, were in order and not just to ensure the flat suited the couple’s needs and wants. The apartment suffered from careless interior finishing by a developer seemingly not interested in giving buyers quality. Or even a non-leaky roof.

Chu was undaunted, however, making minimal but important changes, espe­cially to the two bedrooms that she created from the original three. For one, now a multifunctional room across the corridor from her clients’ bedroom, she took down a wall and installed a wide sliding panel that opens the space to the corridor and expands it visually. Her clients plan to use it mostly as a work area, which is why Chu built a desk into a wastefully deep bay window and put up extensive shelving.

The en-suite bedroom into which it segues features a walk-in wardrobe and, like much of the flat, is bright, airy and minimal. For lighting in here, Chu played with basic units multiplied for effect.

“The flat is all about modular design,” says Chu. “Use one thing and repeat it.”

That approach can be seen in other lighting as well as in the clock that decorates the open living/dining area; the pattern on fixtures such as doors; and the handrails leading to the roof (see Tried + tested).

What a Hong Kong interior designer’s home looks like

Receptive to her easy-going, albeit busy clients, who approached her after seeing one of her projects in a magazine, Chu heeded their request for comfortable rooms with natural hues. They also asked that their home not resemble a hotel, which guided their designer’s choice of distinctive, contemporary wallpaper.

“They don’t like bling-bling materials,” she says, adding that, to her, the special features of the apartment are the skylights and the ceiling height. In the light-filled living area the ceiling is four metres high, including the one-metre-tall clerestory windows.

This is perhaps why Chu herself over­estimates the size of the apartment, believing it – until she realises her mistake – t­o be almost twice its actual size. Not surprisingly, the cover-free rooftop also gives the impression of extra square footage.

In this spacious Hong Kong flat, less really is more

Reached via steps behind the television wall in the lounge, a second sitting area, designed by Chu, makes the most of Tai Po’s natural beauty and openness. Bisected by the staircase leading to it, the roof features, on the sofa side, an outdoor kitchen and extra storage facilities, and on the other a smaller area furnished simply with a couple of recliners. A vertical garden is planned for the bare wall facing the al fresco entertain­ing area, Chu says.

Having seen the work that went into making this new apartment stylish and habitable, I exit the building to confront a phalanx of salespeople tugging at my sleeve. Python’s ditty about Finland screeches to a stop in my head as I wave them away and retrieve my note pad. I write: “Great effort, but caveat emptor.”

Stylist: Anji Connell

Living area Items from the owners’ previous home include the bench and sofa. The television shelf (HK$18,200) and side table (HK$4,800) were designed and made by Raz Interiors. The rug (HK$230) and ball light (HK$179) came from Ikea. The tri-coloured cushions (HK$499 each) and green cushions (HK$599 each) came from Indigo.

Dining area The pendant lamp (HK$18,900) came from Foscarini. The dining table, bench, chairs and wall clock came from the clients’ previous home. The art was picked up in Beijing.

Bedroom The Vibia wall lights (HK$3,900, HK$6,500 and HK$14,800) came from Zodiac Lighting . Raz Interiors designed the bed and bedhead (HK$19,880 for both) and bedside tables (HK$4,200 for two). The clients brought the ladder shelves from their old home. The wallpaper (HK$1,250 a roll) came from Wallpaper +.

Spare room The sofa bed (HK$15,000) came from Aluminium. Raz Interiors designed the pedestal in the corner (HK$3,850), the bookshelves (HK$27,720) and the desk (HK$9,890), which is built into a bay window. The chair came from the owners’ previous home and the wallpaper (HK$1,500 a roll) was from Wallpaper +.

Kitchen Among the few additions to the kitchen was an old stool and two lanterns picked up in Malaysia

Corridor The lamps were HK$3,500 each from Delta Light. The wooden sliding door (HK$16,500), designed by Raz Interiors, allows the second bedroom to open into the corridor.

Bathroom The en-suite bathroom was built by the developer. The wooden boxes (HK$90 a set) came from Ikea.

Well handled In line with Zeta Chu’s desire to decorate the house in modular fashion, safety handles were repeated up the walls of the staircase in slightly random fashion, for visual interest. The handles (made by Raz Interiors for HK$500 each) create an attractive passage to the roof.