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Why this German industrial designer loves coming to Asia

Sebastian Herkner, who made his name with the upside-down side table called Bell, talks about his career-defining moment, working with Stella McCartney and his trips to Asia

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Sebastian Herkner. Pictures: courtesy of Dedon
Peta Tomlinson

Is it true that, as a designer, you have suffered for your art? “Yes. The first 10 years after graduation were tough. My studio was a corner of my 70-square-metre flat in Offenbach [near Frankfurt, Germany]. Eventually, I had enough money to open a studio, and now I have the opportunity to travel the world. My first trip out­side of Europe took me to Shanghai, and I now come to Asia several times a year. I like the traditional craftsman­ship you can still find in Asia: in Europe, craftsmanship is being lost.”

 

Have you had any career-defining moments? “I was always creative but I didn’t know you could do industrial design as a profession. Germans were more about cars than furniture. As a teenager visiting the Designmuseum, in Copenhagen, with my parents and seeing classic Danish lamps and chairs was the ‘click’ moment for me.”

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What did you learn from interning with Stella McCartney? “Design is interdisciplinary – I work with graphic design, architects, interiors – and I wanted to know more about fashion. That experience is one of the reasons I’m so into mixing materials and colours. When I sketch something, colour is part of the design from the beginning. Not every colour works with every material, so it is important to me that they fit.”

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What are your favourite objects at home? “My flat is very colourful, with an eclectic mix of new and vintage, classics and flea-market finds. I don’t mind marks, stains and patina; they tell a story. I also like to see how other people combine objects. My favourite design blogs are sightunseen.com, from New York, and the German-based freundevonfreunden.com.”
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