Konstantin Grcic says there’s more to him than Chair One
The prolific German designer, of Chair One fame, creates imaginary characters when thinking of who will use his products. And the results are on show at The Hong Kong Design Institute
Did you always want to be a designer? “As a kid, I had certain aspirations of being an architect or artist. I didn’t even know that design was a profession. I discovered it when I did an apprenticeship as a cabinetmaker. First, I restored old furniture, then I was trained to make furniture and, through this, I discovered design.”
Tell us about your Chair One design for Magis, one of your most well-known creations. “I don’t like to be reduced to one chair, but, of course, I realise it is the most recognisable design because it has a certain kind of power and success. It is a chair that goes to quite an extreme and I like that extreme because it’s the result of a radical process. The project started with a material technology: aluminium die casting.
“Aluminium doesn’t corrode and I thought we should make a chair that is for outdoors because I wanted to design it for public use. We have to deal with elements like heat, cold, dirt and vandalisation.”
Tell us about your 360° chair. “The 360° is a chair you can sit on in whatever way you want. Of course, there are more comfortable postures and less-comfortable postures. It’s a work chair that is meant for a job where you sit down for a short while – I don’t want anyone to sit on this from nine to five. It’s more like a perch, a support, but I still call it a chair.”