A Hong Kong architect continues his love affair with minimalism
Sean Niem is a stickler for clean lines, as can be seen in his new apartment, which is beautiful on the outside and functional on the inside
The reasons design minimalists grow up to be maximalists are varied: getting married and having children is one. Ability to acquire more is another. Inability to edit could also be a factor.
Sean Niem, however, has remained true to the stripped-down aesthetic that guided the design of the first flat he created, 11 years ago, for his family of three. In 2006, Post Magazine visited that apartment and remarked on how everything in it had been “aligned, tucked in and straightened out”.
During an afternoon spent with the Hong Kong-born, Canadian-educated architect/interior designer at his new Mid-Levels apartment, we discovered the same could be said again. Only this time around, things seemed neater and even more concealed.
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“It became almost an obsession,” acknowledges Niem, referring to his and wife May’s desire to conceal things. In their 1,848 sq ft open-plan home, accommodating two bedrooms and a shared study, capacious cupboards create order. Storage space begins at the front door, curves around the living room and flows into the dining/kitchen space before appearing again in the private quarters.
“The storage space goes hand in hand with the design of the flat, which we wanted to be open plan,” says Niem. “It allows us to hide all of our stuff that isn’t attractive, so what’s left are the beautiful things that we enjoy having people see. Storage allows us to be minimal.”
It also enabled Niem to turn a curved living area into a rectilinear one.
“I didn’t know how to arrange furniture in this weird shape so I ended up straightening it out,” he says, pointing also to the leftover spaces by the cabinetry that can now be used to stash odds and ends.
Not surprisingly, along with the television and other audiovisual equipment, kitchen gadgets, crockery and comestibles are hidden in cupboards, which themselves are discreet. The storage spaces – in neutral colours, like much else in the flat – act as part of the architecture and are used as feature walls. They also determined how doorways would be treated.
“The cupboards go from floor to ceiling, end to end, and having doorways interrupts that,” says Niem. So instead of emphasising entrances, he installed hidden doors that continue the surfaces of the walls.
The built-ins allow Niem to highlight his collections of furniture and art (swapped around for display in purpose-built niches).
“I find sometimes in people’s homes that there are all these beautiful things but they’ve put too much out and they’ve lost the focus,” he says.
Along with the Geoffrey Harcourt and Eames chairs the couple have had for years, they now own a handful of other designer classics by, among others, Norman Cherner and Peter Opsvik. Then there are the new Barcelona chairs, by mid-century modern master Ludwig Mies van der Rohe, occupying prime space in the airy lounge opening onto a long, skinny balcony.
“Before I bought them I went to see the fake ones,” says Niem. “You can really tell the difference.”
You can also see how much thought went into the ambience of the individual rooms. The white work room is a case in point.
“I like how it turned out, modern and sharp, like it’s out of 2001: A Space Odyssey,” says Niem.
The room’s deep cupboards with double shelving accommodate books and other paraphernalia, behind coplanar doors (sliding doors that close flush for a clean look). Indeed, there are so many neat doors in this flat it’s not hard to understand how an entire cupboard could have been missed after the family’s belongings were unpacked last July.
Three months after they had moved in, Niem realised a wardrobe remained empty in the master bedroom.
“I said to my wife, ‘Did you realise there’s another closet here, for your handbags?”
One can only imagine her response.
TRIED + TESTED
Garden on wheels Sean Niem grows wheatgrass in trays on a trolley housed on the balcony beside the living room. Fast-growing, the grass is regularly trimmed and used to make health juices. Niem designed the trolley, which was built by Boden for about HK$11,000 using ArchitWood artificial boards. When wheeled out, gardening tools stored in the bowels of the trolley can be accessed.