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PostMagFood & Drink

Meet the British celebrity chef behind Hong Kong’s latest Italian restaurant

Theo Randall on working with ‘scruffy’ Jamie Oliver at London’s renowned River Café and falling in love with ‘madness in the kitchen’

4-MIN READ4-MIN
Chef Theo Randall at new Italian restaurant Theo Mistral by Theo Randall, in Tsim Sha Tsui. Picture: Jonathan Wong
Bernice Chanin Vancouver

How did you become interested in food? “My father was an architect, my mother an artist, and they would take me and my two sisters on holidays to France and Italy. We’d visit museums and houses, and at the time I found it very boring, but at the end of it we’d have a fabulous meal somewhere. This was from when I was six years old. I was a very adventurous child and I would order unusual things on the menu, usually something with shells on it. One time in Italy I ordered linguine vongole and I thought it was the most amazing thing to pick up the shells with my hands.”

What was the first thing you cooked? “My mother was a really good cook and she would bake bread twice a week and I would help her. It was natural for me to be in the kitchen. When I was 12 years old I started cooking and trying to make all kinds of things. I’d use different herbs and season­ings, some things were great, some were terrible. I just really enjoyed doing it and loved the fact that I could make something.”

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What was your first job? “At 15, I was a kitchen porter for a French bistro and the Spanish chef there was a bit crazy. I loved this madness in the kitchen. I loved the inter­action between front of house and the kitchen. The place was packed all the time. The chef liked me and cooked for me. I eventually became second chef and realised I enjoyed doing this and was excited about going to work.

“When I was 18, I apprenticed under Max Magarian, of Chez Max [in London]. I was with him for almost four years. He was brilliant because he was old school and tough. I’d do pastry and all the garnish­es, and I became fast and efficient, working from 8am to 12am five days, sometimes six days, a week. He’d get a whole deer or venison and I’d have to skin it and gut it. All the fowl came with feathers, and we got in whole fish. Everything was made from scratch.”

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The interior of Theo Mistral. Picture: Winson Wong
The interior of Theo Mistral. Picture: Winson Wong
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