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Profile‘Britain’s most creative chef’ Jeremy Chan on what makes his 2-Michelin-star restaurant Ikoyi unique, and how food that ‘offends some’ is a good thing

  • Jeremy Chan’s Ikoyi in London, which made the 2022 World’s 50 Best Restaurants list, defies boundaries with its food’s African, Asian and European influences
  • Chan, who owns Ikoyi with a friend, talks about its design by Noma architect David Thulstrup and how, if food is divisive, it’s usually ‘very, very good’

6-MIN READ6-MIN
Jeremy Chan has been called ‘Britain’s most creative chef’, and from the menu at his two-Michelin-star London restaurant Ikoyi, it’s not hard to see why. Photo: Ikoyi
Victoria Burrows

“This restaurant is a soul poured out into a room,” says Chinese-Canadian chef Jeremy Chan, casting his gaze over his two-Michelin-star London hotspot, Ikoyi. “It’s my vision of a beautiful architectural space, with comfort mixed in with a little brutality and precision.”

The comfort is there in the warmth of red oak tables, patinated copper wall panels, soft mustard leather chairs and handmade earthenware. A shimmering drape stretches across the ceiling and curves down over the windows, creating a safe cocoon.

Brutality is there, also, in that drape – it has the flow of fabric but is actually a mesh of woven steel. A sprig of dried grass in a rough ceramic vase is the only nod to more traditional notions of table decoration.

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The precision is everywhere, when you look in close. Each one of the restaurant’s lights has been individually programmed to dim or brighten separately throughout the day to create a continually optimal glow.

The dining room at two-Michelin-star London hotspot Ikoyi. Photo: Ikoyi
The dining room at two-Michelin-star London hotspot Ikoyi. Photo: Ikoyi
Chan, who is regularly described as the most creative chef in Britain, designed the space with his school friend and business partner, Iré Hassan-Odukale. They worked with Danish architect David Thulstrup, who also created the interiors for world-famous Noma, in Copenhagen.
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They designed Ikoyi as if it were a living art piece, although Chan would never brand it as that.

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