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Life.Culture.Discovery.

In Shenzhen, ‘urban villages’ like Baishizhou have been lost to the megacity myth

We take a stroll through the southern Chinese city’s vanishing old enclaves with architect Juan Du

In a new book, she traces the long history of China’s ‘instant’ metropolis

Reading Time:11 minutes
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Baishizhou, an ‘urban village’ in Shenzhen, China. Photo: Edward Wong
One night, in the summer of 2005, an architect called Juan Du missed the last flight from Shenzhen to Beijing, where she was working for Atelier FCJZ, China’s first independent architec­tural firm – FCJZ stands for feichang jianzhu or “extraordinary architecture” – founded in 1993 by Yung Ho Chang. In 2005, Chang became head of MIT’s architecture depart­ment and the chief curator of the inaugural Bi-City Biennale of Urbanism/Architecture in Shenzhen and Hong Kong, where Du was assistant curator.
Throughout that summer, Du had been flying south every week, visiting sites and meeting officials. The exhibition was to mark Shenzhen’s 25th anniversary, and everyone told her the same story: how a sleepy fishing village of 30,000 people had magically morphed into a full-blown metropolis. The city’s birth was so near-miraculous – land so virginal, result so vigorous – it had come to represent the whole of China’s post-Mao Zedong reform and its stupendous possibilities.

And yet, until that plane took off without her, Du had never spent a night in Shenzhen. The theme for the biennale was “City, Open Door!” but, having been escorted around government offices, tower blocks, shopping malls, she’d never seen what truly lay beyond. Now obliged to stay, she stepped out for a late stroll, wandering from the pleasant streets of Overseas Chinese Town (OCT), its malls and Italian restaurant demurely closing down for the evening, and into less ordered midnight realms.

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In the introduction to The Shenzhen Experiment, her book that grew out of that night and is subtitled, with deliber­ate irony, “The Story of China’s Instant City”, she describes “a clearing surrounded by walls of dimly lit buildings, six to seven storeys tall and leaning very close to each other”. In the middle, under strings of bare light bulbs, a night market glowed with food stalls, folding tables, steam, smells, chatter and, most strikingly, children and dogs. “I had not seen any children during all my prior visits to Shenzhen and certainly no street dogs, either,” she writes.

Juan Du in Baishizhou, Shenzhen. Photo: Edward Wong
Juan Du in Baishizhou, Shenzhen. Photo: Edward Wong
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The following day, at the airport, when she rang a Shenzhen acquaintance and recounted her amazement at such a vision in the mysterious square, her (female) friend was appalled: “It is very dangerous there, especially for you as a woman alone at night! That place is called Baishizhou, the worst of Shenzhen’s many unfortunate chengzhong­cun!” That was the first time Du heard about these “villages in the city”. In the weeks she’d spent in Shenzhen, no one had mentioned them to her.

Eventually, she would learn there were more than 300 chengzhongcun, and they’d evolved from about 2,000 historical agrarian villages. One of the misconceptions she unpacks in her book – one first promoted by the govern­ment, then the media – is that Shenzhen is just 40 years old.

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