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Chinese artists, locked down by the coronavirus, got creative and got to work

Cooped up during the country’s ‘longest spring festival’, artists produced a variety of works, including photography, paintings and collage

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2020 Plague Expulsion Rite, by Wu Guoyong, compiles 3,500 pictures of Chinese people under quarantine to recreate Edvard Munch’s The Scream. Photo: Wu Guoyong
Thomas Bird

As much of the world locks down in the face of the Covid-19 pandemic, many people are experiencing the boredom and uncertainty that was the province of mainland China during the initial outbreak, a period now popularly dubbed “zui chang de guonian”, or the longest spring festival.

For those quarantined in their flats, it was a time when bad news, local and national, had to be digested over long days living in the shadow of this terrifying new disease. Some found light relief playing dinner-table ping pong or living-room badminton, videos of which have since gone viral on social media. But for China’s creative classes, the worry, anger, horror and hope inevitably mani­fested into works of art produced in the confines of their homes.

We Have a Chinese Dream, featuring Li Zhengde and his wife, Wu Yue. Photo: Li Zhengde
We Have a Chinese Dream, featuring Li Zhengde and his wife, Wu Yue. Photo: Li Zhengde

Li Zhengde

 “I feel like I’ve been trapped at home for­ever,” says Shenzhen-based photographer Li Zhengde as he prepares to return to the Pearl River Delta after four months in Anhua, an obscure river town just south of Dongting Lake, which separates the provinces of Hunan and Hubei. “I came back in December to get married. It was supposed to be a happy time. My partner, Wu Yue, was already heavily pregnant and we were going to stay with her family until she gave birth. I planned to photograph Anhua, as I have for a decade or so, while we awaited the arrival of our son.
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“The virus struck not long after the wedding and we got stuck indoors. We couldn’t even go to the supermarket without a mask and we only had one for the entire extended family.”

Trapped in a 16th-floor flat overlooking the verdant mountains and jade waters of the Zi River, Li spent his initial weeks in lockdown worrying his first son would be born under a bad star.

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“I had nothing else to do but stare at the night sky out of the window each evening. I couldn’t sleep, nor could I go out and shoot photos,” he says. “I had a view that seemed somewhat ironic, the river still flowed but the people could not, so I drank beer and meditated on the scene.”

Love In The Time of The Virus, by Li. Photo: Li Zhengde
Love In The Time of The Virus, by Li. Photo: Li Zhengde
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