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Oldboy, Decision to Leave director Park Chan-wook on BTS, being blacklisted and creating female characters

  • Park Chan-wook, a Korean filmmaker who vaulted to international attention in 2003 with Oldboy, talks about his latest movie, Decision to Leave, and his career

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South Korean director Park Chan-Wook at the 75th edition of the Cannes Film Festival in Cannes in 2022. The legendary Korean filmmaker talks about his new movie and his past career. Photo: AFP
New York Magazine

Park Chan-wook knows he has a reputation for shock.

The South Korean filmmaker vaulted to international attention in 2003 with Oldboy, a lurid, exhilarating revenge drama about a man in­explicably held prisoner by an unknown captor for 15 years, then just as inexplicably set loose.

His subsequent work has ranged from a romantic comedy set in a psychiatric ward (I’m a Cyborg, But That’s OK; 2006), to a perverse family portrait (his first and so far only English-language film, Stoker; 2013), to the 2016 lush erotic thriller The Handmaiden, set in Japanese-occupied Korea.

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His latest film, Decision to Leave (2022), is restrained in comparison, a love story tucked inside a murder mystery. It stars Park Hae-il as Hae-joon, a devoted Busan police officer, and Tang Wei as Seo-rae, a Chinese care-home worker whose husband dies in what might or might not have been an accident.

Park, who is currently directing an HBO series based on Viet Thanh Nguyen’s 2015 novel The Sympathizer, spoke through an interpreter about being a filmmaker who has always been interested in the mechanics of cross-cultural communication.

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“When you’re having a conversation, it’s not just about the definition of the words,” he says. “It’s only when the emotion kicks in that you actually get a full picture of what a person is conveying.”

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