As Hong Kong institutions pour money into art tech, some criticise the content as uninspiring and prioritising technology over creativity.
The ‘Odysseys of Art: Masterpieces Collected by the Princes of Liechtenstein’ exhibition at the Hong Kong Palace Museum offers visitors a rare window into a priceless collection.
The Japanese capital is not known as a hub of contemporary art, but Art Week Tokyo is changing perceptions by making it easier to see exhibitions.
Leipzig in Germany, like Hong Kong, has turned a former textile mill into an arts and cultural centre, the Spinnerei.
The Emperor Qianlong defaced countless priceless Chinese artworks with his own seals, acts of historical vandalism far above those of climate activists’ recent attacks.
American artist Barbara Kruger is best known for her bold collages that question subjects such as power and gender relations. A Hong Kong gallerist explains how they changed her life.
Despite being 1,500 square feet, a Hong Kong-based multimedia artist’s apartment in Tai Tam felt cramped until clever use of lighting and white paint transformed it.
Alison Tan is the creative force behind many of Hong Kong’s most immersive and thought-provoking culinary projects in recent years.
An ex-banker who held his first solo art exhibition in 1973, artist Eddie Lui talks about his Hong Kong struggle, being raised between East and West, and dealing with angry triads.
From the cubist collages of artists in the early 20th century, word art has evolved to become a vehicle for questioning societal norms and provoking thought.
Art depicting familiar southern Chinese scenes was popular among the merchants and officials of the China Trade, such as Hong Kong’s Sir Paul Chater.
From Pompeii to ancient Rome, Disney+ series Lost Treasures of Rome considers the art of the Roman Empire. It’s one of several art documentary series available to stream right now.
In the instagram era where ‘the camera eats first’, chefs increasingly focusing on the look of their dishes, elevating them to a photo-ready art form.
The Cultural Centre project in Tsim Sha Tsui was announced in 1974, four decades after a damning report about the city’s dearth of museums.
