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Jason Wordie

Then & Now | Why Hong Kong’s copywriters peddle tired clichés, pretentious words and the illusion of grandeur

From the humble copywriter to brand managers, advertisers have mastered the art of the meaningless marketing cliché

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Prospective buyers are offered “the world” by the copywriters employed to sell the Cullinan West II development, in Sham Shui Po. Picture: Edward Wong

Consider this sad, yet far from uncommon, local scenario. A bright, promising child attends kinder­garten and primary school, where she learns to read and write. From “The cat sat on the mat” she progresses, over two decades, to William Shakespeare and Jane Austen, continues on to critiques of Percy Shelley, John Keats and the other Romantic poets, and then follows a university degree steeped in the works of Chekhov, Dostoevsky and Tolstoy.

Upon graduation, no worthy job materialises. As so many of Hong Kong’s annually expanding legions of under-employed, bitterly discon­tent­ed graduates have discovered, they are forced to deploy their painstakingly acquired linguis­tic abilities on whatever drudgery pays the bills.

Copywriting provides a career opening for those equipped to ransack a thesaurus, and find the most pretentious words possible to describe otherwise simple, easy-to-market concepts or products. The trick is to make some product or service found anywhere from Dubai to Osaka feel “unique” to people in Hong Kong. The right form of words to marry up with glamorous, jealousy-inducing images, and the socially insecure need of many to “keep up with the Wongs” is essential to help sell inessential items in a market such as Hong Kong, where more than 20 per cent of the population exists below the poverty line.

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“Luxury”, “prestige”, “flagship”, “bespoke”, “artisanal”, “unique features”, “enriching life’s defining moments” – the tawdry list of copy­writer clichés trudges on, generally inserted by an “advertising executive” – or “brand man­­ager” as they are termed today – desper­ate to put their mark on a project. Creating and sustaining a sense of improved status from the purchase of particular products is key to any advertising copy­writer’s success. Even their own flannel has been “upgraded”; instead of “copywriting agencies”, Hong Kong now has “brand studios”.

“Shopping experience” is another Hong Kong copywriter’s staple. Climbing Mount Kilimanjaro or gazing across Iguazu Falls are life-enhancing experiences; traipsing aim­lessly around an air-conditioned Kowloon mall cunningly designed – rather like a lobster trap – so that once an unfortu­nate victim enters, escape back into the real world is all but impossible without running the gauntlet of yet more shops, is a different “experience” altogether.

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An advert in the South China Morning Post.
An advert in the South China Morning Post.
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