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Old Hong Kong
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Jason Wordie

Then & NowHong Kong’s ballroom scene was relatively respected. Then Covid-19 changed everything

  • The recent ‘dance-hall cluster’ has thrown a spotlight on the hitherto respectable tradition
  • In the time-dishonoured Hong Kong way, people “knew” what was going on, but kept quiet

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People enjoy a dance at a banquet hall in Mei Foo. Photo: Facebook
One lighter moment to emerge from the local pandemic was a cruelly amusing meme, taken from a leaked text message, which surfaced in the wake of the recent “dance-hall cluster” infections: “Auntie! I don’t want to work any more! Auntie …”

Hong Kong abounds with older men in relationships with significantly younger women; this phenomenon has long been regarded as a sign of wealth, power and sexual potency.

Just as prevalent, though mostly better hidden, are affluent local females with well-compensated male companions. In Chinese society, openly expressed female sexuality has always been derided; “old ginger is the hottest” is just one pithy saying that coarsely depicts the unlatched carnal desires of “itchy” mature females.

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Ballrooms staffed by female taxi dancers became popular in China more than a century ago, during treaty port days; numerous travel accounts and memoirs vividly describe this nightlife scene. Less well-documented – though telling hints exist, if one knows how to decode the euphemisms – are references to the male of the species.

Dance halls have long offered more-or-less respectable entertainment for both sexes, as everything – at least on the surface – is out in the open. Any after-hours private arrangements occur off the premises, and thus concern nobody, unless the unwritten rules of engagement are publicly contravened.

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Every so often, some unforeseen circum­stance – such as the “dance-hall cluster” – brings this parallel world into sharply sniggering relief. In the time-dishonoured Hong Kong way, everyone “knew” what was really going on, and no one said a word.

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