Skate shop owner read a novel by The Handmaid’s Tale writer Margaret Atwood, and it helped her accept change in life
- Milanie Bekker, co-founder of the Hong Kong Roller Derby team, read Margaret Atwood’s Oryx and Crake at a time she was feeling the pressure of city living
- The book and its sequels ‘really helped me come to terms with who I am, and that it’s OK to change’, she says. ‘You just need to let go’
Offering up a characteristically dystopian vision, Margaret Atwood’s speculative novel Oryx and Crake (2003) tells the story of a character called Snowman stranded in a post-apocalyptic future, recalling in flashbacks the events that led him there, and the society based on rampant consumerism and inequality, genetic engineering and environmental devastation that preceded it. South African Milanie Bekker, co-founder of the Hong Kong Roller Derby team and co-owner of Hong Kong Island district Causeway Bay skate emporium Madame Quad, tells Richard Lord how it changed her life.
I went back to university in 2015 to do my PGCE (postgraduate teacher-training qualification), after working at a game reserve in Limpopo, South Africa’s northernmost province, as a nature guide for two years. I really got to know myself there: we had to start a generator for our three hours of electricity a day, and we had to pump our water from a river, which the elephants often intercepted.
I moved back to Stellenbosch, and an ex-girlfriend gave me Oryx and Crake. I loved apocalyptic fiction – I was always going on about the apocalypse – and I was back in the city and feeling the pressure of that. She said to me, “This will suit you.”
It blew my mind. I hadn’t read any Margaret Atwood or even known anything about her, but I have been a diehard fan ever since I read Oryx and Crake.
After that I discovered the rest of the MaddAddam trilogy (2009’s The Year of the Flood tells a parallel, sometimes intersecting story from the same fictional universe, while 2013’s MaddAddam is a continuation of both of its predecessors) and it was like my eyes had opened to the world – a dystopian, apocalyptic world, but still.