How Lorde grew up with ‘Solar Power’, and why she unplugged from social media to write her ‘battle-worn’ third album – interview

- After her hiatus, Lorde has featured in Vogue and on Late Night with Seth Meyers, and was nicknamed ‘Lorde of the Wings’ by Twitter users after her Hot Ones appearance
- The Grammy Award-winning pop star collaborated with Taylor Swift’s producer for her third album, which was inspired by 90s singers, growing up … and walks in the park
Behold the glory of Lorde.

“I feel like it should’ve been a couple levels [hotter],” jokes the singer (real name: Ella Yelich-O’Connor), curled up by a window on a recent Zoom call. Travelling stateside from her native New Zealand to promote new album “Solar Power”, out now, “it’s such a different mode for me, coming from being at home to wearing make-up all the time and being on camera. But I’m enjoying myself. Full pop star mode has been activated.”
“Solar Power” marks Lorde’s third album and her first since 2017’s “Melodrama”, a Grammy nominee for album of the year. While “Melodrama” mined heartbreak and teenage revelry for its pulsing pop anthems, her latest 12-song effort is a decidedly mellower affair. Once again collaborating with producer du jour Jack Antonoff (Taylor Swift, St. Vincent), her influences ranged from classic rock greats The Eagles and The Mamas & the Papas, to pop/R&B artists from her youth, including Natasha Bedingfield, TLC and All Saints.
Their music “sounds so sunshiny and so outdoors”, says Lorde, 24. And coming off an exhaustive world tour in 2018, she was in dire need of both those things.

“I was tired after ‘Melodrama,’ ” Lorde admits. “It was a very intense album and I felt I’d given it my all. I needed to just go and slow down at home, and I very much did that.”
“If you told me the thing that’s going to be really inspiring is going for a walk in the park by your house every day for a year, I would have been like ‘No, no, no, I’m not gonna write an album about that,’” Lorde says. “But I did. So [the music] sort of comes from places that are difficult to pinpoint. I didn’t really feel any pressure to make it happen.”
