John Cleese on Polanski, the coronation, rebooting Fawlty Towers, joining GB News, Putin, the impending apocalypse and the ‘2 or 3 people’ who are funnier than him – a very unguarded interview
“Ask me anything,” begins John Cleese, with the warm, knowing smile of someone certain that whatever he’s asked, his interlocutor won’t be short of sound bites 20 minutes later. Indeed, it sometimes seems like the British comedian need only open his mouth for a fresh ripple of indignation-stoking headlines to reverberate across the internet.
In the weeks before we talk alone, Cleese prompted tabloid meltdowns over his decidedly anti-woke decision to ignore a request from the cast to cut a scene mocking a trans female character from an upcoming Life of Brian stage adaptation, and the dubious counter claim that he “can’t be cancelled”. He might never admit it, but given his relentless readiness to drop controversial clangers, one can’t help but think the 83-year-old bard of comedy is privately rather proud of his enduring ability to attract attention. “It’s partly because our media is so unremittingly trivial,” he counters, “and there’s nothing one can do about that.”
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However, it’s the return of Cleese’s other legendary comedy creation that’s prompting the happiest headlines, with plans to revive the beloved Fawlty Towers sitcom – some 44 years after Cleese last appeared as the iconic grump Basil Fawlty. But why now? “They asked if we could do it, and I gave the answer I’ve been giving for 40 years,” says Cleese, “which is that I don’t really see how it could possibly be a success.” However, wined and dined by a US producer, his mind was changed over the course of a single dinner. Cleese and his daughter Camilla have signed on to co-write the reboot – although he’s quick to pour cold water all over it. At present, there is no script, no concept, no location, and no characters apart from Basil. Cleese’s first wife, co-writer and co-star Connie Booth, is notably not involved. It will “probably be set in the Caribbean”, he concedes.
“We don’t have an idea yet – we have half an idea,” Cleese continues. “The trouble is one of the producers wanted to promote himself a little bit and sent out a press release without warning anyone, and suddenly everyone got excited over something that hardly exists.”
The excitement is understandable though – the show will unite Cleese with Rob Reiner, the American director behind legendary music mockumentary This is Spinal Tap, whom Cleese regards as among the “only two or three people who know more about comedy” than him. “That’s a very arrogant thing to say,” he admits unapologetically. (Later, when pushed, he adds Steve Martin, Eddie Izzard aka Suzy Izzard, and Frank Oz to that list.)
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I’m talking to Cleese ahead of a solo stand-up tour of Asia – which lands in Hong Kong on July 10. We last spoke almost exactly a decade earlier, when he was dragging a similar show around the globe in a self-confessed money grab following an infamous third divorce in 2008, which left him shouldering alimony payments of more than US$20 million. (Camilla was born to second wife Barbara Trentham; he married for a fourth and so-far final time in 2012.)
But the last 10 years have been good for Cleese, with 2014 seeing both the publication of So, Anyway …: The Autobiography and the lucrative Monty Python Live (Mostly) reunion. But cash, it seems, remains his principal motivation for life on the road. “People say, ‘why are you still working,’ and I say, ‘have a look at the figures of my third divorce,’” he quips. But surely by now Alyce Faye Eichelberger, his American ex-spouse of 16 years, has been paid off? “Not really. Have you ever paid anyone US$20 million? It’s not a matter of an overnight success,” he retorts. “I’m living in an 11,000 sq ft property in London – when I divorced, I had five properties.”
If it’s not entirely a quest for coin, then it’s easy to imagine that the haunting echo of an internal ticking clock might be driving Cleese’s late-career workload. Beyond the gruelling grind of stage work, there’s a hectic schedule in front of the camera: he’s currently in the process of launching a news opinion show, opening a west coast comedy club in the US, and adapting two of his classic films into stage shows on different sides of the Atlantic. After this string of shows in Asia and Australia, he’s flying straight to Los Angeles to workshop a theatrical revamp of the 1998 film A Fish Called Wanda, while the headline-baiting Life of Brian musical opens on London’s West End next year.
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Before all that, Cleese will be back on the big screen in September with a starring role in black comedy The Palace, directed by perhaps the longest-cancelled personality in Hollywood history, Roman Polanski, who has lived in exile in Paris since 1978 after pleading guilty to unlawful sex with a 13-year-old girl. Cleese has no qualms.
“I don’t think anyone thinks he’s anything other than one of the greatest filmmakers ever born, and the idea of working with an absolute master was very, very important to me,” he asserts. “Most people, through the course of their life, ruffle a few feathers – and sometimes it’s important, as it was in his case. I don’t think just because someone did something 50 years ago – which the other person involved does not want unearthed – I don’t see any reason that the press are doing it other than it will get lots of clicks.”
“If people ask, ‘Do you think it’s OK for people to shout nasty things at each other?’ the answer is: no. I agree, it’s not OK, but the question is what we do about it – do we try and legislate to make people better human beings? Because that’s been tried in the past by other forms of puritans and it hasn’t worked very well.”
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Over his career, Cleese has elevated a comedic commentary of current affairs into an art form. But now his forthright – and often downright divisive – views will soon be amplified through the formal, unapologetic megaphone of TV. In the four days before we speak, Cleese taped three episodes of a new show he’s hosting on the UK’s new right-leaning freeview news opinion channel GB News. “I refer to them not as GB News, but as KGB News, and they think that’s rather funny,” he says ominously.
It might be disappointing to some supporters that Cleese, a long-time Liberal Democrat, has joined a platform whose biggest hit is a show fronted by former UKIP leader Nigel Farage. (Cleese did campaign in favour of Brexit.) “They said to me, ‘you can do absolutely anything you like,’” reveals Cleese. “And no one has ever said that to anyone on television in any time in world history.” Why then was he singled out for this unlikely, unprecedented honour? “I imagine it’s because they recognise my true brilliance,” he replies, with what one hopes is more irony that was immediately obvious.
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“Very few people study history any more, and this means there’s a lot of young people, especially in America, who don’t know any history at all,” he says. “They have no idea what it might have been like to live in a different era. You’ve got to take into account that everything was very tough and very cruel for about 5,000 years of human history, and it’s getting slightly better in a small number of countries – but not necessarily if you’re a Uygur in China or a Ukrainian – but it’s getting slightly better, a little bit at a time.”
But is it? I’m not convinced. While the past few years may have been good for Cleese, they’ve been horrendous for the rest of us to live through. Has the notoriously deprecatory octogenarian lived through a worse decade on the planet, then?
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Cleese might have made his name and fortune making people laugh, but as you’ve probably realised by now, in conversation he is anything but light – or funny. When I spoke with him 10 years ago, he was harried and scowling from the back of a black London taxi cab, and came across as a prickly provocateur. But seated in his modest home and looking me in the eye – if through Zoom – it’s a sense of world-weary resignation that greets me today. A bleak torrent of pessimism bubbling from a deep pit of desperation.
As Cleese’s apocalyptic monologue unravels, the messages from his team telling me my time is up get increasingly incessant. I hasten to wrap up the call, apologising that if I take up any more of his valuable time, I will risk making a lot of people quite angry. His face lights up one last time. “That’s not a bad thing to do,” he laughs mischievously, “not a bad thing to do at all.”
- Over 60 years, the British national treasure revolutionised comedy with Monty Python, starred in Shrek and James Bond films – and after all that, claims he cannot be cancelled
- Ahead of his Asia and Australia tour, Cleese opens up about rebooting beloved BBC sitcom Fawlty Towers, acting in Roman Polanski’s The Palace – and why this is the worst era he’s lived through