Designer Pierre Hardy sees his work more as art

Hardy says design is about imagination, about telling a story, and he gives shape and meaning to the story
Pierre Hardy rushes into the Hermès headquarters with a stream of sheepish apologies and air kisses. Given his warm and unassuming manner, it can be easy to forget that behind the signature black glasses is a mind as astute as it is creative, as meticulous as it is philosophical. The designer is a tad late, unsurprising given Paris’ rush-hour traffic and the fact that Hardy is a busy, busy man.
The prolific designer launched his eponymous brand in 1999, producing the stunning shoes for which he’s known, reaching out often to collaborate with names that range from luxury motor companies such as Peugeot to cosmetic brands such as NARS.

He became the creative director for Hermès’ men’s and women’s shoe collections in 1990, then creative director for its fine jewellery division in 2001. The past three decades have been a whirlwind of bags, jewellery, perfume and nail polish bottles, and, of course, shoes – and that’s exactly how the designer likes it.
“I would be so bored doing only one kind of product,” he says. “What makes things exciting for me is to change focus.” The fact that Hardy likes variety is evident even in the way he speaks. He picks ideas and thoughts out of the air from a colourful mind map only he can see, enthusing about shoe design before switching gears to form and function, then veering off on a tangent to archaeology and his other sources of inspiration before pausing to wonder, “What was the question again?”



I would be so bored doing only one kind of product. What makes things exciting for me is to change focus
