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Luxury

STYLE Edit: Gucci’s Epilogue collection celebrates Ken Scott – why creative director Alessandro Michele adores the late designer’s iconic 60s and 70s floral fabrics

STORYSCMP Style Reporter
Gucci’s Epilogue collection features the bold 60s and 70s floral designs of Ken Scott. Photo: Gucci
Gucci’s Epilogue collection features the bold 60s and 70s floral designs of Ken Scott. Photo: Gucci
Style Edit

  • The legendary designer’s florid florals were worn by the style-setting women of the day: Twiggy, Brigitte Bardot, Jackie Kennedy Onassis and Audrey Hepburn
  • Michele accessed Scott’s archives and had patterns applied to his new women and menswear collections of T-shirts, blazers, flowing dresses and accessories

As the world learned to slow down and stay in amid a global pandemic, the idea of “stopping and smelling the roses” gained a little more currency than usual. Our coronavirus-induced distance from nature and each other is perhaps why the “you only live once” maximalist fashion of Alessandro Michele’s Gucci is appealing to more luxury consumers: if not now, when can I wear clashing prints, costume jewellery, a floral print headband and feather boa?

The botanical exuberance of designer Ken Scott’s prints, featured in Gucci’s latest Epilogue collection, only add to Michele’s free-spirited, limitlessly creative philosophy.
From the Gucci Epilogue collection, a collaboration with designer Ken Scott. Photo: Gucci
From the Gucci Epilogue collection, a collaboration with designer Ken Scott. Photo: Gucci
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As the creative director says about Epilogue: “The period of greatest liberation, which I lived through when I was a child, was the 70s, which were really the golden years of the brand I work for, and I keep going back to them because, for me personally, they were the real seeds of change.”

The collection was launched in February, and Michele conceived a dedicated campaign for the selection of special pieces incorporating the work of Ken Scott. Photographed by Mark Peckmezian, the patterns from Scott’s design archives – featured on the Gucci pieces – are also applied to wallpaper, curtains, tablecloths and cushions, transforming the space into an overwhelming and stimulating environment. This is a world where you can stop and – if not smell – at least admire the roses, peonies, poppies and sunflowers from Scott’s kaleidoscopic botanical wonderland, a lockdown oasis we never knew we wanted.

From the Gucci Epilogue collection, a collaboration with designer Ken Scott. Photo: Gucci
From the Gucci Epilogue collection, a collaboration with designer Ken Scott. Photo: Gucci

If you’re unfamiliar with the American fashion designer, it might be because Scott was creating prints and patterns before your time – in the 60s and 70s. But you’ll recognise some of the models that wore his fabrics: Twiggy, Brigitte Bardot, Jackie Kennedy Onassis and Audrey Hepburn.

In one less-cited photo of the Breakfast at Tiffany’s star from 1967, Hepburn wears a dress with Ken Scott’s abstract floral print, photographed by William Klein. According to Shahidha Bari, professor of fashion cultures and histories at the London College of Fashion, who narrates a story about the American designer’s life and career on Gucci Podcast, Hepburn called it her “bird dress” and she “loved wearing it”.

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