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Luxury

Chanel invited Vanessa Paradis and Charlotte Casiraghi to sing at a catwalk show in a French quarry – made famous by the same Jean Cocteau film that inspired the Cruise collection

STORYReuters
Chanel’s cruise collection for 2021/22 incorporated plenty of rock n’ roll. Photo: Chanel
Chanel’s cruise collection for 2021/22 incorporated plenty of rock n’ roll. Photo: Chanel
Chanel

  • Chanel’s 2021/22 cruise show was staged in the same location as 1960s Cocteau film Testament of Orpheus
  • Creative chief Virginie Viard says she was inspired by the half-man, half-horse in the film, and sent models out in creations reminiscent of punk rockers

French fashion house Chanel brought a touch of rock n’ roll to the south of France, unveiling a mainly black and white collection of fringed, beaded and leather outfits for its 2021/2022 cruise collection.

Creative chief Virginie Viard staged the catwalk presentation at a former quarry, the Carrières de Lumières, just below the picturesque perched village of Les Baux-de-Provence.

A model parades in the Carrières de Lumières quarry for Chanel’s latest cruise line. Photo: Chanel
A model parades in the Carrières de Lumières quarry for Chanel’s latest cruise line. Photo: Chanel
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Against the backdrop of the empty venue’s white limestone walls, models sashayed in graphic black and white dresses, printed tops and trousers as well as dungarees frayed at the bottom, at the unveil on Tuesday.

The quarry was the set of the classic 1960 art house film Testament of Orpheus by French author, playwright and artist Jean Cocteau, who was a friend of the fashion label’s founder Gabrielle Chanel.

“The simplicity and the poetry of Cocteau’s film made me want to create a very clean collection,” Chanel’s chief creative Virginie Viard said of the collection. Photo: Chanel
“The simplicity and the poetry of Cocteau’s film made me want to create a very clean collection,” Chanel’s chief creative Virginie Viard said of the collection. Photo: Chanel

“I love the film Testament of Orpheus. In particular this magnificent scene: a man with a black horse’s head descends into the Carrières de Lumières, his silhouette cut out against the very white walls,” Viard said in show notes.

“The simplicity, the precision and the poetry of Cocteau’s film made me want to create a very clean collection, with a very distinct two-tone, made up of bright white and deep black,” he added.

Virginie Viard sent models down the runway in punky beads and fishnets. Photo: Chanel
Virginie Viard sent models down the runway in punky beads and fishnets. Photo: Chanel
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