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From American Idol to Queen, is LGBT icon Adam Lambert just a charismatic entertainer with incredible cords but nothing to say?

STORYRob Garratt
Pop and rock singer Adam Lambert, onstage with Queen + Adam Lambert. Photo: @adamlambert/Instagram
Pop and rock singer Adam Lambert, onstage with Queen + Adam Lambert. Photo: @adamlambert/Instagram
Music

As Adam Lambert prepares to release ‘Velvet’, his first new album in five years, STYLE tries to make sense of this contradictory chameleon

A reality TV star who went on to front a classic rock band, Adam Lambert has his feet deep in both the present and the past – but he’s already made history.

As the first openly gay pop star to top the Billboard album charts, Lambert is undeniably equal parts LGBTQ+ icon and artistic trailblazer alike.

But are his outsized theatrics losing their charm? Not a single solo track has charted since 2015 electro-folk anthem Ghost Town, and as Lambert gambles it all on his first new album in five years – the seductively disco-flavoured “Velvet”, dropping worldwide on March 20 – STYLE tries to make sense of this bewitchingly contradictory chameleon.

He’s (way) more than a copycat

A singer who made his name singing other people’s songs – #ICYMI: as runner-up on season 8 of American Idol in 2009 – and significantly broadened his demographic filling Freddie Mercury’s shoes in a dollar-churning, stadium-strafing ongoing Queen reunion, it’s been too easy for detractors to write Lambert off as a charismatic entertainer with incredible cords but nothing to say.

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But remember that when RCA encouraged the singer to follow up the breezy electropop flavoured second album “Trespassing” with a covers LP, he quit the label and signed with Warner Bros, who promised more control and promoted a more rounded image – ultimately leading to the mature, and much-self-penned, reinvention that was “The Original High”.

Yep, he really did insure his voice for nearly US$50 million

It was back in 2012 that Forbes first broke news of Lambert’s hefty US$47 million insurance policy on the health of those priceless vocal cords – a fact he was only too happy to verify when speaking to this writer four years later.

“That’s my bread and butter man, I got to insure this,” he told me at The National. “J-Lo insured her booty, right? Listen – this is what I’m making my money on.”

Lambert was depressingly ahead of his time – and he paid the price (but didn’t let the haters win)

The entertainment landscape has undergone a welcome, long overdue representational awakening since Lambert came out as gay in the summer of June 2009.

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