Statue export ban hits at Pyongyang's soft power and hard cash

With somewhere around 4,000 artists and staff, the Mansudae Art Studio, a huge complex of nondescript concrete buildings on a sprawling, walled-off campus with armed guards in the heart of Pyongyang, churns out everything from watercolour tigers to mosaics so large they seem to depict a race from another, taller planet.
But its statues — the really big, bronze, monumental ones on foreign shores — are what appear to have caught the attention of the UN Security Council.

To those familiar with the North’s exports, the move to ban statue sales wasn’t entirely a surprise. It’s one of the few things other than coal and natural resources, exports of which were also heavily restricted under the new sanctions, that North Korea can still find a market for abroad.
Moreover, sanctions advocates and proponents of isolating Pyongyang for its nuclear program believe Mansudae, and particularly its export arm, Mansudae Overseas Projects, is being used to quietly maintain, expand or obfuscate the nature of its relations with other countries.