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Chinese exhibition at New York’s Metropolitan Museum attracts record 815,992 visitors

China: Through the Looking Glass, looking at Chinese aesthetics' impact on Western fashion, included decoration of 1950s Dior dress inspired by Chinese calligraphy about stomach ache

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Chinese exhibition at New York’s Metropolitan Museum attracts record 815,992 visitors
Agence France-Presse
A dress by Vivienne Tam from the exhibition, featuring images of Mao Zedong, created for the spring/summer 1995 collection. Photo: Metropolitan Museum of Art
A dress by Vivienne Tam from the exhibition, featuring images of Mao Zedong, created for the spring/summer 1995 collection. Photo: Metropolitan Museum of Art
A New York exhibition exploring Chinese influence on Western fashion attracted a record 815,992 visitors during a four-month summer run that ended on Monday in a sign of China’s growing clout in the United States.
“China: Through the Looking Glass” was the most visited show at the Metropolitan Museum of Art’s Costume Institute and the fifth most popular show at the entire museum overall.
A film still from Limehouse Blues in 1934, starring Anna May Wong, which was part of the 'China: Through the Looking Glass' exhibition. Photo: Metropolitan Museum of Art
A film still from Limehouse Blues in 1934, starring Anna May Wong, which was part of the 'China: Through the Looking Glass' exhibition. Photo: Metropolitan Museum of Art
A modern Guo Pei gold gown, featuring a traditionally Western profile and ancient Buddhist sculptures, was featured at the show. Photo: The Washington Post
A modern Guo Pei gold gown, featuring a traditionally Western profile and ancient Buddhist sculptures, was featured at the show. Photo: The Washington Post
The same gold dress featured at the exhibition, seen from a different angle.  Photo: Metropolitan Museum of Art/TNS
The same gold dress featured at the exhibition, seen from a different angle. Photo: Metropolitan Museum of Art/TNS
It broke the Institute’s previous record set by a 2011 show celebrating the late British fashion designer Alexander McQueen, which went on display shortly after his death, the museum said.
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Nearly 816,000 visitors flocked to the China exhibition, compared with 661,509 for McQueen

The exhibition, which had opened on May 7, explored the impact of Chinese aesthetics on Western fashion and how China fuelled the fashion imagination for centuries.

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A general view of the Imperial China Gallery at the exhibition. Photo: Metropolitan Museum of Art
A general view of the Imperial China Gallery at the exhibition. Photo: Metropolitan Museum of Art
A Festival robe, worn by China's Emperor Qianlong in the second half of the 18th century, was also featured in the exhibition. Photo: Metropolitan Museum of Art/TNS
A Festival robe, worn by China's Emperor Qianlong in the second half of the 18th century, was also featured in the exhibition. Photo: Metropolitan Museum of Art/TNS
This Tom Ford evening dress, designed for Yves Saint Laurent's autumn/winter 2004 collection, also featured. Photo: Metropolitan Museum of Art
This Tom Ford evening dress, designed for Yves Saint Laurent's autumn/winter 2004 collection, also featured. Photo: Metropolitan Museum of Art
It juxtaposed some of the world’s finest haute couture with jewellery and works of Chinese art, focusing on Imperial China, 1920-40s Shanghai and the People’s Republic of China.
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