Mulan sparks different questions about Chinese identity in East and West
- Delicate balance for Disney in its portrayal of China’s classic tale of female heroism
- Too Americanised, or pandering to a mainland Chinese audience?
Since the trailer for Disney’s live-action film Mulan was released last weekend, both mainland Chinese in the East and the diaspora in the West have been abuzz about their cultural identity and its representation in Hollywood – albeit for different reasons.
Chinese viewers have, on one hand, been enthusiastic about the casting of Chinese-American actress Crystal Liu Yifei in the lead role and the chance for a seemingly more “authentic” Chinese story to be told on the global stage.
On the other hand, they have pointed out historical inaccuracies – such as the southern Chinese setting when the source material states that Mulan is from the north – and expressed concerns that the plot has been too “Americanised”.
Meanwhile, many Chinese-Americans were surprised to discover upon watching the trailer that the beloved 1998 animation had changed beyond recognition – most notably with the absence of talking dragon Mushu and male love interest Li Shang. Some also felt that the new film pandered too much to a mainland Chinese audience.
“The idea of a mythic mash-up of China [in the new film] … seems to play to the idea of a unified, singular China, an artistic representation of the one-China policy, which is troubling to me,” said Jeannette Ng, a British sci-fi author with Hong Kong heritage.