HKTV chief director So Man-chung laments lost opportunities in licence rejection

As the credits rolled on the final episode of a television show that's been two years in the making, it was an emotional moment for everyone in the room.

Many on the production team behind the show have lost their jobs after Hong Kong Television Network (HKTV) missed out on a free-to-air licence last week. But worse, they say, is that viewers have been deprived of quality dramas - and none of their hard work will be seen on television.

"It's like killing a newborn baby in the hospital's delivery room - and it's the midwife who murders it," said chief director of drama production at HKTV, So Man-chung. "I can't help but cry when I watch the scenes I filmed. The government is supposed to nurture, not destroy, the city's creative industry." The HKTV staff had gathered at their Kwai Chung office to watch final screenings of series such as Borderline, which have been in production for the past two years.

"It's not just about losing our jobs," said So, who will remain at the station. "People look back at what they've done over the past two years with satisfaction about the shows they have made. Why, now, has the chance of them being aired been trashed?"

Some 320 jobs will go after the government rejected the station's licence application. Licences were granted to i-Cable and PCCW subsidiaries.

So and his colleagues had produced 150 hours of television in anticipation of winning the licence. The station decided to broadcast the first episode of Borderline on the internet, ahead of the licence announcement - the only one of the new works available in full. It has notched up over 804,000 hits on YouTube since it went up in June.

The station has tried to move away from the usual fare on local television, striving for film-like, US production values with snappy storytelling, darker lighting and more realistic scenes.