Run Run Shaw opened the world's eyes to Hong Kong filmmaking
Critics put Sir Run Run Shaw's extraordinary success down to his passion for film, sharp business sense and an extraordinary ability to spot the most talented actors and actresses
From Shaw Brothers films to TVB television shows, Sir Run Run Shaw created an empire that not only put Hong Kong's film and entertainment business firmly on the world map but helped shape the city's popular culture.
"He had a profound understanding of film," said film historian Law Kar.
Shaw's fascination and lifelong relationship with cinema began when he was working in film distribution in Singapore and Malaysia, long before he co-founded Shaw Brothers Studio, he said.
"He understood the art form, but, more importantly, he had a sharp eye for the market potential of films," Law said.
That talent put Sir Run Run ahead of his peers. During the early days of Shaw Brothers Studio in the late 1950s and early 1960s, competition from other studios like the Cathay Organisation was intense. However, a 1964 plane crash killed Cathay's chief, Loke Wan Tho, and members of its top management.
Hong Kong Film Archive curator Winnie Fu said that tragic event was the turning point that allowed Shaw Brothers to dominate, to the extent that it was making 40 films a year. The studio system, complete with production, distribution, and even staff quarters, was the largest of its kind in Asia.