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Ditch the Stradivarius? New violins sound better than old and players can’t tell the difference

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A Sotheby's employee, Charlotte Bassett, plays a 1682 Stradivarius violin in the auction house in central London in 2001. Photo: AP
Agence France-Presse

Despite the lofty reputation of old violins by Italian masters such as Antonio Stradivari, blindfolded listeners in concert halls in New York and Paris say they preferred the sound of newer instruments.

The latest salvo in the long-running debate over which violins best project sound appeared Monday in the Proceedings of the National Academy of Sciences, a peer-reviewed US journal.

“Because Old Italian instruments are now priced beyond the reach of the vast majority of players, it seems important to test the fundamental assumption of their tonal superiority,” said the study, led by Claudia Fritz, a researcher at France’s National Centre for Scientific Research (CNRS).

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Stradivarius violins were made in the 17th and 18th centuries. Today, the instruments often fetch millions of dollars.

Experts say these antiques possess the curious ability to sound quieter under the player’s ear, yet project sound farther and better in a concert hall than newer models.

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So researchers asked musically versed listeners to compare three Stradivarius violins to three newer models, based on listener preference and sound projection.
The so-called Ames Stradivarius violin that was stolen in 1980 but 35 years ago, in New York in 2015 after its recovery. Photo: AP
The so-called Ames Stradivarius violin that was stolen in 1980 but 35 years ago, in New York in 2015 after its recovery. Photo: AP

One test was conducted in a 300-seat concert hall near Paris, involving 55 listeners. The second involved 82 listeners in an 860-seat hall in New York.

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