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An appreciation: the humanity and self-lacerating humour of Carrie Fisher

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Carrie Fisher in 1987. A bona-fide star, she would largely turn her back on acting in favour of writing. Photo: Washington Post photo by Bill Snead.
The Washington Post

“Some crappy dessert. Anything. I’ll take it all.”

That was Carrie Fisher ordering a midafternoon snack at the Cannes Film Festival in May, where she was doing interviews for Bright Lights: Starring Carrie Fisher and Debbie Reynolds, a documentary about her mother, Debbie Reynolds; Fisher confided that she’d wanted to make the film for the past few years because, as she explained, “my mother had been sort of declining, and I didn’t know how much longer she would be performing.”

In a cruel, cosmic twist Fisher herself would no doubt appreciate with her distinctive brand of gallows humour, she wound up going first - ahead of the mother whose multi-hyphenated gifts (singer-dancer-actress) and marriage to Eddie Fisher catapulted Carrie into fame that never seemed to fit her entirely comfortably.

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Carrie Fisher died on Tuesday at the age of 60, days after suffering a heart attack on a plane flight.
Carrie Fisher hams it up at the European premiere of Star Wars: The Force Awakens in Leicester square, London. Photo: EPA
Carrie Fisher hams it up at the European premiere of Star Wars: The Force Awakens in Leicester square, London. Photo: EPA
Star Wars cast members Harrison Ford, Anthony Daniels, Carrie Fisher and Peter Mayhew take a break from filming a television special in Los Angeles in 1978. Photo: AP
Star Wars cast members Harrison Ford, Anthony Daniels, Carrie Fisher and Peter Mayhew take a break from filming a television special in Los Angeles in 1978. Photo: AP
She went into the family business as an actress, vaulting from off-screen Hollywood royalty to the on-screen version as a generation’s most revered space princess, along the way picking up and dropping a drug habit, turning it all into fodder for one of the finest, funniest show business memoirs ever written, albeit in the form of a semi-autobiographical novel. Movie fans may consider Postcards From the Edge a piquant Meryl Streep comedy, but writers worship the book for the same tough, wry self-awareness Fisher brought to her script-doctoring work (including uncredited improvements to the dialogue in The Empire Strikes Back and other Star Wars sequels), her one-woman show, Wishful Drinking, and her actual memoir, the just-published The Princess Diarist.
It’s her willingness to bring lucid, sometimes lacerating candour to even her most private struggles that will be her most meaningful legacy

Approaching the nearly deserted hotel dining room where Fisher was holding court at Cannes, a certain amount of anxiety was in order. She was, after all, a bona fide icon, whose contribution to Star Wars and its mythic status cannot be overstated, if only because her version of a princess was so subversively, sarcastically salty. She was also whip-smart, armed with a well-attuned b.s. detector and a lethally barbed verbal arsenal with which to enforce it.

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