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Chinese culture
OpinionChina Opinion
As I see it
Alex Lo

What the I Ching is really about

While it may depart from scientific axioms, readers can glean much about their circumstances by consulting the Book of Changes

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The I Ching contains 64 hexagrams, where solid and divided lines represent the cosmic principles of yang and yin respectively. Photo: Shutterstock
Alex Lo has been an SCMP columnist since 2012, covering major issues affecting Hong Kong and the rest of China.
Carl Jung was a big fan of the I Ching, also known as the Book of Changes. He was also a close friend of Richard Wilhelm, whose German translation was probably the most influential Western version of the ancient Chinese text in the last century.

But over the years, I have become convinced that the great Jung didn’t really get it. A red flag is that he thinks it is very difficult for the Western mind to grasp what I will call the Chinese spirit of the I Ching, which he claims is completely foreign.

“I can assure my reader that it is not altogether easy to find the right access to this monument of Chinese thought, which departs so completely from our ways of thinking,” he wrote in the foreword to an English translation of the Wilhelm text.

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Actually, I think it is quite accessible and easy for anyone to consult the I Ching and believe in it. It’s precisely its enigmatic allure that appeals to foreign minds like Jung.

People as different as poet Allen Ginsberg, musician Joni Mitchell, composer John Cage and choreographer Merce Cunningham have all “lauded the Yi Jing for both its wisdom and its poetic suggestiveness”. That’s according to Brian Bruya, who recently translated the classic – and highly amusing – Illustrated Book of Changes by C.C. Tsai, the cartoonist and Shaolin monk who also illustrated volumes about Chinese philosophers such as Confucius, Sun Tzu and Chuang Tzu.

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Yi Jing is the contemporary standard transcription of I Ching. I will stick with the latter, which most readers are probably more familiar with. Bruya’s translation is now published in a handsome edition by Princeton University Press.

In 1964, Merce Cunningham lifts Carolyn Brown during rehearsal at Sadler’s Wells Theatre in London. Cunningham is said to have lauded the wisdom and poetic suggestiveness of the I Ching, which explains change as the interaction of two cosmic principles: yin and yang, feminine and masculine. Photo: AP
In 1964, Merce Cunningham lifts Carolyn Brown during rehearsal at Sadler’s Wells Theatre in London. Cunningham is said to have lauded the wisdom and poetic suggestiveness of the I Ching, which explains change as the interaction of two cosmic principles: yin and yang, feminine and masculine. Photo: AP
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