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What to see in Singapore’s galleries and studios as Art Week 2026 approaches

From karaoke lounges tucked inside malls to living forests in defunct school fields, the Lion City’s art scene is choosing depth over dazzle

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The “Monet – Moment and Memory” section of the “Into the Modern: Impressionism from the Museum of Fine Arts (MFA), Boston” exhibition at the National Gallery Singapore Photo: courtesy National Gallery Singapore
Andrea Lo
It’s late afternoon and at the Gillman Barracks, an art enclave in downtown Singapore, the light is beginning to shift. People lingering outside one of the converted military buildings chat quietly before heading inside.

One gallery’s bold murals consist of letters twisted into abstract forms, graffiti turned into a language of energy and rhythm. In another, a luminous canvas hums with colour and texture, a quiet riot of abstraction. The energy in the air isn’t the buzz of an opening night but something more permanent and absorbing.

During our visit to the Lion City ahead of Singapore Art Week 2026, which takes place from January 22 to 31, the custodians of its art spaces are busy preparing for one of the biggest events of the year. The 2026 edition will include more than 100 programmes and art experiences taking place at museums, galleries and independent studios, with a strong focus on technology. Art Week also functions as an umbrella event that encompasses commercial marketplace ART SG (January 23-25), where galleries such as White Cube showcase and sell works, and the Singapore Biennale 2025, which began on October 31 and runs until March 29.
Seung-taek Lee’s Earth Play (1989) installation on display as part of the Singapore Biennale. Photo: courtesy Singapore Art Museum
Seung-taek Lee’s Earth Play (1989) installation on display as part of the Singapore Biennale. Photo: courtesy Singapore Art Museum

Themed “Pure Intention”, the biennale explores the idea of a city shaped by both planning and unexpected outcomes. According to the curatorial team, “It examines how intentionality informs the city’s urban, cultural and social landscapes, while inviting reflection on the complexities, contradictions and lived realities of transformation.”

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So it follows that this isn’t a biennale confined to white-walled galleries. It unfolds in a variety of venues across the city, including the older, mixed-use shopping centres with tiny units and tangled floor plans that stand in stark contrast to Orchard Road’s gleaming flagship stores.

In Lucky Plaza – an Orchard Road mall in which migrant workers gather at weekends – Filipina artist Eisa Jocson has brought one unit to musical life in collaboration with the Singapore-based charity Humanitarian Organization for Migration Economics. Her installation – The Filipino Superwoman X H.O.M.E. Karaoke Living Room – will be in place until the end of the biennale and is filled with videos featuring domestic workers singing and dancing outdoors, framed by greenery, that celebrate their lives, labour and joy.

Singapore Biennale curators (from left) Hsu Fang-tze, Selene Yap, Duncan Bass and Ong Puay Khim. Photo: Handout
Singapore Biennale curators (from left) Hsu Fang-tze, Selene Yap, Duncan Bass and Ong Puay Khim. Photo: Handout

Up the road, at the Far East Shopping Centre, Irish artist Yuri Pattison has filled a unit with models of stalled Chinese property projects. The work mirrors the city’s skyline, visible through the window, and is a poetic commentary on real-estate dreams that never materialised.

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