Chinese hit film The Wandering Earth will falter in global markets because of its political message

Vivienne Chow writes about the Chinese blockbuster The Wandering Earth in “Not all stars shine” (March 1). The Year of the Pig got off to a record-breaking start for mainland film producers with the debut of this sci-fi film. It appeared to the backdrop of China landing a lunar probe on the far side of the moon.

Having watched the film, however, I did not think it was particularly outstanding. Chinese filmmakers will have to flex their muscles more to catch up with their counterparts in Hollywood.

Chinese filmmakers do seem to be departing from their traditional style. In the past, veteran film director and producer Zhang Yimou made films such as Raise the Red Lantern  and To Live. Zhang’s films are a record and a reflection on the Communist Party’s stance, with the Cultural Revolution forming the historical backdrop. Zhang had to convey a message to the public and to the world. Later, Zhang switched to martial arts films and costume dramas such as Curse of the Golden Flower and Shadow.

Zhang has changed his production style according to his personal taste and established himself enough to shed political responsibility. He is largely free to create according to his style and his motivation.

With The Wandering Earth, China positions itself as a competitor to Hollywood and Bollywood. However, Chinese film producers must remember that audiences outside China, including in Hong Kong, dislike overt political propaganda in their entertainment. To gain international audiences, Chinese filmmakers should avoid trying to indoctrinate viewers. If they can avoid this, the Chinese film industry could be a serious contender.

However, do Chinese filmmakers have the freedom to create what they believe in?

Lo Wai Kong, Yau Ma Tei